Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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110,680 paintings total

  

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Here are all the paintings of BELLEGAMBE, Jean 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
5015 Annunciation ghg BELLEGAMBE, Jean Annunciation ghg 1516-17 Oil on canvas tansferred from wood, 109 x 80 cm (central), 103 x 33 cm (side) The Hermitage, St. Petersburg
79352 Portrait of Miss Ella Carmichael BELLEGAMBE, Jean Portrait of Miss Ella Carmichael 1906(1906) Medium Oil on canvas cyf
5016 The Le Cellier Triptych BELLEGAMBE, Jean The Le Cellier Triptych 1508-09 Tempera and oil on wood Metropolitan Museum of Art, New York
88444 The Le Cellier Triptych BELLEGAMBE, Jean The Le Cellier Triptych 1508(1508) and 1509(1509) Medium tempera and Oil on wood cyf
29205 The Miracle of Lactation BELLEGAMBE, Jean The Miracle of Lactation mk65 Oil on canvas transferred from panel 40 1/2x 13"
18867 The Retable of Le Cellier BELLEGAMBE, Jean The Retable of Le Cellier inner-left panel featuring St. Bernard & Cistercian Monks, 1508-09, tempera and oil on panel, Metropolitan Museum of Art, New York.
18868 The Retable of Le Cellier (triptych) BELLEGAMBE, Jean The Retable of Le Cellier (triptych) inner-right panel featuring St. Malachy O\'Morgair & Cistercian Monks, 1508-09, tempera and oil on panel, Metropolitan Museum of Art, New York

BELLEGAMBE, Jean
Flemish painter (c. 1480 - c. 1535) South Netherlandish painter and designer. His father, George Bellegambe, a cabinetmaker and musician, was a prominent citizen of Douai. Jean is first mentioned in a document of 1504, when he is referred to as a master painter, a burgher and married. His teacher is unknown, but his work bears some imprint of the art of Jan Provoost, who inherited Simon Marmion's studio. However, Bellegambe might equally have been apprenticed in Bruges or Brussels (possibly in the atelier of the Master of the Legend of St Mary Magdalen, for example), or even in Antwerp. The calm and serenity of Bellegambe's compositions, his treatment of landscape, his lightness of technique, his pursuit of clear, soft colours and delicate harmonies all indicate links with the work of Gerard David and Quinten Metsys. In the 17th century Bellegambe was known as 'the Master of Colours'.
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